Tuesday, April 29, 2008

Trav'lin Home Tagged


Moon Belly Performance Ensemble
is proud to present:

Trav'lin Home
Photography and Dance Fusion

Saturday, May 31st, 7:30pm
Launer Auditorium, Columbia College
BENEFIT TO SUPPORT OUR TROOPS
via Military Families Speak Out
$7-10 sliding scale, kids under 5 FREE

1. A large portion of the proceeds from this show will go toward supporting US troops and veterans from the Iraqi War via Military Families Speak Out. I got the idea to give support to veterans after listening to the Winter Soldier reports on NPR last month. I cried every morning for a week until I realized I could help.

2. We have a variety of performers in the show. It is truly by the community for the community. The variety includes belly dancing by The DragonFlies Belly Dance Company and Moon Belly Performance Ensemble, Rhythm tap by Stacie Strong, hip-hop with Outer Limits Dance Team, lyrical ballet, youth jazz dancers from Dance Arts.

3. We have performers of all ages in the show from age 13 to age 55!

4. The dancers in this show all have full-time jobs. Most have kids and husbands. We all have busy lives. We have all carved out lots of time and energy for this project because we believe in the power of expression, movement and action.

5. Almost all of the costumes in the show were created by a bad-ass local fashion designer by the royal name of Suzanne Vansickle AKA: HOUSE OF VANSICKLE.

6. The photography exhibit will be presented by Chicago artist Nichelle Lawrence. Her work is amazing and emotionally moving. I first met Nichelle on the job at Chuck E. Cheese in 1992.

6. I have always felt an identity clash between performing and studying a Middle Eastern art form while my country is at war with a Middle Eastern country. I am grateful that I have the freedom of expression as a woman to embrace the art form. This show is an offer of appreciation to its Middle Eastern roots.

7. I am an alumni at Columbia College. I am currently faculty at Columbia College. So trav'lin home is literal for me. I am trav'lin back to the campus where I received so much inspiration and support to do what I believe in.

8. You will not see a traditional belly dance performance. I don't perform traditional belly dance. It comes out something like a modern contemporary fusion of belly dance. I have to be honest with what comes out and keep it real to my heart.

9. The show is on May 31st. This is also the first birthday of my neice, Orrin Elizabeth. I witnessed her birth last year! I was the first person to hold and kiss her.

10. I can't think of anything else other than the Trav'lin Home production. If I start to talk about boys or movies...somebody please intervene and redirect energies. Something has gone seriously wrong.

Saturday, March 29, 2008

Belly Dance is Green

While I was filling out our application to perform at Earth day, I was puzzled by this question: How does your performance relate to the goals of Earth Day?

I asked myself: What does a belly dance performance have to do with the preservation or protection of the Earth?

The current state of affairs regarding our planet is a sad one. Our Greek and Judeo-Christian philosophical roots of duality and hierarchy, pastoral traditions of unbridled expansion, and mechanistic world-views of science and progress all sadly treat the planet as a large clump of inanimate matter with resources to be abused recklessly. We are told repeatedly that the solution to the current "energy crisis" is to keep grasping for more and more control over precious resources. According to Eckhart Tolle, in A New Earth, humanity seems to be cursed with a form of collective mental illness or veil of delusion.

Sad? Yes. yes. yes.

A socio-historical relationship exists between the ill treatment of the planet and sexual inequality. For several thousand years, patriarchal messages have deemed females inferior, limited and incomplete beings and placed an overarching importance on masculine culture. Until the seventeenth century, Europeans commonly regarded the Earth as a living, female being. Quoting from a number of Francis Bacon's works in the seventeenth century, Carolynn Mathews says this, "The new man of science must not think that the 'inquisition of nature is in any part interdicted or forbidden'. Nature must be 'bound into service' and made a 'slave,' put 'in constraint' and 'molded' by the mechanical arts. The 'searchers and spies of nature' are to discover her plots and secrets" (The Death of Nature: Women, Ecology and the Scientific Revolution, pp. 40-41). Moreover, "European campaigns of colonial expansion and enslavement of inhabitants of occupied lands prompted scientists, philosophers and theologians to categorize indigenous peoples with the Western worldview. The new attention to the Other was at once paternal and protective as well as oppressive and exploitive, regarding enslaved people as property and a source of free labor rather than as human beings. The female body especially bore the metaphorical weight of comparisons between women's fertility and the abundant riches of the conquered lands, 'penetration' into and 'conquest' of places like the 'Dark Continent'"(Willis and Williams, The Black Female Body, pp. 8).

Still sad? Yes. yes. yes.

The good news?
Belly dance is about personal transformation and empowerment of women. At both the personal and collective level it has parallels with political activism. When women embrace the sacredness of their bodies and the dignity of being female, they are challenging violence, be it against women and children or the Earth's ecological system.

When women come together to belly dance it is ritualistic. We warm-up in the same way every time, review the same movements, over and over again. The primary function is to connect the individual with the dance, the music and the group. Shared meanings, resolutions, and emotions are achieved. A relational bond is formed and it is enduring. "In time, ritual creates a new body, one body made of many, through which can be realized and understood the extremes of fear and love, the truly political dimensions of humanness...Ritual marks the ultimate ideal of the relationship between self and community, the fusion, rather than separation, of these two distinct realities" (Kay Turner, "Contemporary Feminist Rituals, pp. 226).

Growth is often slow and gradual. Moon Belly Dance Studio has the moon as its main metaphor for growth and development. A slow and steady process in one's transformation is the constant theme and meditation about gradual change is understood. A place in a dancer's journey for the waning moon encourages acceptance of inevitable setbacks and regressions. A place for the waxing moon encourages embracing the life-force. Belly dancers are images and models in process. We create possibility. This is a necessary step in our efforts to bring about social change.

The common ground between belly dance and the struggles to save mother earth appears to be boundless. Together in both our personal and political identities, we are moving toward change, both seeking an awakened consciousness. I am still working on these connections intellectually, but I know in my heart that belly dance is green.

Tuesday, February 19, 2008

Facts and Theories Continued...

My Obsession with the Vietnam War
You might be wondering how the Vietnam War has anything to do with my evolution as a belly dancer. I would argue it inspired me a great deal and in this way: as a young girl I fancied myself a warrior.

My neighbor, a Vietnam veteran, once confessed to me many secrets about his experiences as a soldier in the war. It happened one summer evening, under a tree, in a hammock, after I probed him gently for any information about what it was like to fight a war. He opened up like a broken dam. I felt honored and gifted with this information as he did not talk about it EVER to anyone, not even his wife. I was ten years old.

I became obsessed. I felt like I had been gifted with secret and special information for a deeper purpose, in which I sought to understand. I watched all of the great films of the 80's about the war including: Hamburger Hill, Platoon, Full Metal Jacket etc. (my mom was working at a movie theatre at the time and is not the type of mother to censor). All of my junior high research papers dealt with the subject. I tried to empathize with veterans about their pain of killing and witnessing death by studying their habits of alcoholism and drug abuse. I tried to understand the confusion of fighting for an ideal, but with the realization your efforts are futile. I was consumed with the conflicting emotions of patriotism and betrayal of my country. Around this time I heard about the concept of reincarnation. Combined with my studies of the war, and putting two and two together, I became convinced that I must have been a Vietnam soldier in my past life. I was born in 1976.

I vividly imagined war scenes at night in my backyard. Armed with a large stick machine gun I fought all bad guys--with a passion for justice I had not discovered before in my youth. I would only retreat to my bunker (bedroom closet) to nurse my young babies. I rescued women and children and I ran my tank (my mother's beat up ford escort) across rough terrain. I was brave, courageous, and fearless. I had a clear purpose and it was to fight, and fight with honor. I became warrior.

My experiences as a soldier in the war of my imagination brought great strength into my later training as a belly dancer (as well as my mothering, which dance is its metaphor). My imaginary experiences in a foreign land with strange customs led to my fascinations with, curiosity about, and examination of "exotic" cultures. Eventually, it led me to an art form, which is in a full-out battle to defend its honor and reputation. I am now a soldier in the movement to elevate the art form into the higher echelons of the dance world where women's sensuality can be celebrated and not feared. Same as always, I am still fighting for freedom.

Past Life Experiences
Speaking of past life experiences and reincarnation, I fancy that I was also an ancient temple priestess in the time that the Goddess reigned. There is an aching voice in my soul that yearns for this life again--one of complete and total worship for the powers that be. It is her voice and calling that led be to belly dancing as well.

She cries out to me to honor the temple that is my body. When I am alone at night I often can hear her whispering, "dance, worship, dance!" She is very wise from her lifetimes of serving in the holy practice of preaching, teaching, dancing, performing rituals and healing. She is divine and beautiful and I call on her in times that I need grace, beauty, integrity and wisdom.

She loves the practice of belly dancing more than the performance. She loves the repetition, consistency and discipline. She knows this is sacred practice.


Teen Motherhood
I am the daughter of a teen mother. My mother was 15 years old when I was born. I learned a great deal by watching my mother grow up. She was very strong, determined and quiet. She always taught me that I could be whatever I wanted when I grew up and that a college degree was an absolute necessity for a young woman in today's world. She was married to my father until I was 5 years old, single for 7 years, and married again when I was 12.

When she married my stepfather we moved to the giant city of Tulsa, Oklahoma. (We lived in rural Missouri previously). A few years later, my baby brother was born, and a few years later my first daughter was born, Madelynn Scarlett. I was 17 years old when I became pregnant with her. At this time, I was a strung out IV drug addict. I was living in a car with my boyfriend and only attending school a few days a week.

As a teen I had become disgruntled to put it mildly. I was distraught about my father's abandonment, neglected by my mother's cold emotions, and angry at my new step father's attempt to bring in a false sense of middle class security to our lives. I was also seeing beyond the illusion of class boundaries and societal expectations. I was a freedom seeker even then and I didn't understand all of society's ridiculous rules on behavior. I became extremely rebellious against all of the rules and regulations placed upon me. I intuitively felt that our world was an illusion and that everyone was "faking" life--and that what we were lacking was love and connection.

My new baby girl, Madelynn, brought me the love and connection that I was so hungry for. We moved back to Missouri around this time, Madelynn's father left, I quite drugs for good, and I quickly enrolled into college. I lived on welfare, food stamps, section 8 housing, and any and all forms of assistance I could gather. As Ariel Gore describes it in The Mother Trip "living on welfare in America as a single mother was one of the most radicalizing experiences of my life."

It was not a year after Madelynn's birth that I discovered belly dance. I had been invited to a "Sexy Sadie" party for women only. We were to wear some charade of femininity and celebrate its empowering aspects with other young blooming feminists trying to come to terms with a sexist world. Toward the end of the evening, sultry Middle Eastern music began to play, everyone hushed, and a young woman slowly entered the room. She wore a beautiful hand sewn bra and belt costume made of shells, bells, bones and pearls. She danced for us that night like a goddess incarnate. Tears sprung to my eyes as I watched her. I knew instantly that I was supposed to learn this dance. Her performance changed the course of my life forever.

I quickly signed up for classes and began studying regularly. Belly dance became a practice that offered me a tool to move deeply into life--into the realities of my body, heart, sensuality and sexuality. The more I became aware of this the more I was able to practice being in the present in the midst of the everyday difficulties of being a single, teen mother. Madelynn had already shifted my life toward love and peace, but belly dance offered me a new relationship to my life and body that I knew existed, but wasn't able to access before. Hidden possibilities of this precious life, this glorious community, this interesting family, my sensuous body began to blossom. My confidence in living became enhanced, I could surrender easier to situations, and stretch into who I really am. Dancing is a metaphor for the self discovery of my new capacities as a mother and woman.

To be continued...